Close Menu
  • Support Us
  • Login
  • Newsletter
  • News
  • Features
  • Interviews
  • Reviews
    • Video Games
      • Previews
      • PC
      • PS5
      • Xbox Series X/S
      • Nintendo Switch
      • Xbox One
      • PS4
      • Tabletop
    • Film
    • TV
    • Anime
    • Comics
      • BOOM! Studios
      • Dark Horse Comics
      • DC Comics
      • IDW Publishing
      • Image Comics
      • Indie Comics
      • Marvel Comics
      • Oni-Lion Forge
      • Valiant Comics
      • Vault Comics
  • Podcast
  • More
    • Event Coverage
    • BWT Recommends
    • RSS Feeds
Facebook X (Twitter) Instagram
Support Us
But Why Tho?
RSS Facebook X (Twitter) YouTube
Trending:
  • Features
    World of Warcraft Midnight screenshot

    We Need To Talk About World of Warcraft Midnight’s Sloppy Early Access Launch

    03/03/2026
    Wuthering Waves 3.1 Part 2 Luuk

    ‘Wuthering Waves’ 3.1 Part 2 Brings Confrontation, Character, And Incredible Cinematography

    03/02/2026
    Journal with Witch

    ‘Journal With Witch’ Achieves Catharsis Through Compassion

    02/25/2026
    Elsa Bloodstone Marvel Rivals

    Elsa Bloodstone Delivers Agile Gameplay As She Brings Her Hunt To ‘Marvel Rivals’

    02/15/2026
    Morning Glory Orphanage

    The Orphanage Is Where The Heart Is In ‘Yakuza Kiwami 3’

    02/14/2026
  • Apple TV
  • K-Dramas
  • Netflix
  • Game Previews
  • Sports
But Why Tho?
Home » Film » REVIEW: ‘Devotion’ Soars High Above Other War Epics

REVIEW: ‘Devotion’ Soars High Above Other War Epics

Collier "CJ" JenningsBy Collier "CJ" Jennings11/11/20224 Mins Read
Devotion - but why tho
Share
Facebook Twitter Pinterest Reddit WhatsApp Email

Devotion - but why tho

Devotion is one of the few war films that also doubles as a character piece, and it excels thanks to its leading man. Based on the book of the same name by Adam Makos,  the film centers on the unlikely friendship between Jesse Brown (Jonathan Majors) and Tom Hudner (Glen Powell). Both men are assigned to pilot the Vought F4U Corsair during the budding days of the Korean War, but Brown also faces the challenges of being the sole Black pilot in the Navy.

Get BWT in your inbox!

Subscribe to our weekly newsletter and get the latest and greated in entertainment coverage.
Click Here

Get BWT in your inbox!

Subscribe to our weekly newsletter and get the latest and greated in entertainment coverage.
Click Here

This movie is a personal affair for many of the cast and crew involved. For director J.D. Dillard, he saw how his father faced a struggle similar to Brown’s as the sole Black man in a Naval setting. For Powell, who also serves as an executive producer on the film, it was the source material that moved him enough to get the film made. And for Majors, he also had a familial connection as most of his family served in the military. It’s those personal connections that let them give the film an emotional core, and stand out from the rest of the pack when it comes to war epics.

Most of the film lies on Majors’ shoulders, and it’s a task he’s more than capable of. He has a confidence that radiates off the screen, whether it’s in the cockpit of a Corsair or striking up a conversation with Elizabeth Taylor (Serinda Swan) during shore leave in Cannes. The scenes between Majors and Christina Jackson, who plays Brown’s wife Daisy, are utterly heartwarming as well. Whether it’s taking their daughter out on the beach or a late-night dance, it genuinely feels like the audience is watching two people in love. It’s enough to make me wish that the film had more of those scenes, though Jackson makes the most of her screen time.

However, one scene keeps coming back to me. It features Brown staring in the mirror, repeating a string of hateful comments that he’s endured during the years. Dillard chooses to stage this sequence so that Brown is looking right at the screen – making sure they can see his eyes well up with tears and then harden in anger. Majors pours his soul into this scene, making sure that each and every word has weight. And he does the same in another scene with Powell, where Brown & Hudner discuss when to follow rules. “You know how many people have told me to give up, quit, die even?” Brown says quietly, a silent rage underlying his words. “That’s why you can’t always do what you’re told.” Devotion serves as further proof that no matter what role he takes, Majors will give it his all.

Powell more than holds his own as Hudner. While most folks may point out that this is the second aviation-focused film that he’s been in this year, his role as Hudner feels much more approachable & human. Here’s a man who’s used to following the rules and doing things by the book – and over the course of the film, he learns that sometimes you have to step outside the lines. Powell and Majors’ chemistry is instant and magnetic: the two have a number of conversations over the course of the film, and learn more about each other. They’re also willing to fight for each other, whether it’s against a fellow soldier or in the thick of the Korean war.

And speaking of the war sequences, they are intense in the best way. Dillard makes the audience feel like they’re in the thick of war, with bullets flying everywhere and the Corsairs weaving in and out of the enemy’s fire. The third act has enough edge-of-your-seat moments to rival any blockbuster released this year, leading to an emotionally stirring sequence that left me in tears. Cinematographer Erik Messerschmidt brings Dillard’s vision to life with sweeping shots of Naval carriers cutting through the sea, as well as the Corsairs soaring through the snowy mountains of North Korea. And Chanda Dancy‘s haunting score will stick with viewers long after the credits roll.

Devotion is a stirring and soulful war epic that chronicles a lost piece of history and cements Jonathan Majors as a bonafide movie star. Though it may end up breaking more than a few hearts, in the end, it soars high enough to match its ambitions.

Devotion premieres in theaters nationwide on November 23.

Devotion
  • 9/10
    Rating - 9/10
9/10

TL;DR

Devotion is a stirring and soulful war epic that chronicles a lost piece of history and cements Jonathan Majors as a bonafide movie star. Though it may end up breaking more than a few hearts, in the end, it soars high enough to match its ambitions.

Share. Facebook Twitter Pinterest LinkedIn WhatsApp Reddit Email
Previous ArticleDLC REVIEW: ‘Dying Light 2: Bloody Ties’ Is Hit And Miss (PS5)
Next Article Caught Between Menschkeit And A Hard Place In ‘Armageddon Time’
Collier "CJ" Jennings
  • Website
  • Facebook
  • X (Twitter)

Born and raised in Texas, Collier “CJ” Jennings was introduced to geekdom at an early age by his father, who showed him Ultraman and Star Trek: The Next Generation. On his thirteenth birthday, he received a copy of Giant Size X-Men #1 and dove head first into the realm of pop culture, never looking back. His hobbies include: writing screenplays and essays, watching movies and television, card games/RPG’s, and cooking. He currently resides in Seattle.

Related Posts

Dolly (2026)
8.0

REVIEW: ‘Dolly’ Offers Effectively Nasty Vibes

03/06/2026
Alan Ritchson in War Machine
8.0

REVIEW: ‘War Machine’ Is A Solid Sci-Fi Action Outing For Alan Ritchson

03/06/2026
The Bride (2026)
9.0

REVIEW: ‘The Bride’ Offers A Thrill Ride Of Feminine Rage

03/04/2026
Still from Stray Kids The dominATE Experience
8.5

REVIEW: ‘Stray Kids: The dominATE Experience’ Is A Dream Come True

03/03/2026
Mabel and Animals in Hoppers (2026)
8.0

REVIEW: ‘Hoppers’ Is A Great Step Forward For Pixar

03/02/2026
The Bluff (2026) promotional still from Prime Video
8.0

REVIEW: ‘The Bluff (2026)’ Fills The Swashbuckling Genre Void

02/28/2026

Get BWT in your inbox!

Subscribe to our weekly newsletter and get the latest and greated in entertainment coverage.
Click Here
TRENDING POSTS
Jisoo on Boyfriend on Demand
8.5
TV

REVIEW: ‘Boyfriend On Demand’ Is A Wholly Satisfying Rom-Com

By Sarah Musnicky03/06/2026Updated:03/06/2026

Boyfriend On Demand (Wolgannamchin) is the kind of delightfully humorous, rewarding KDrama romance I’ve been…

Santos in The Pitt Season 2 Episode 9
9.0
TV

RECAP: ‘The Pitt’ Season 2 Episode 9 – “3:00 P.M.”

By Katey Stoetzel03/05/2026

The Pitt Season 2 Episode 9 continues a consistent run of good episodes for The Pitt, even if things aren’t quite as wild yet as the first season.

Rachel Weisz and Leo Woodall in Vladimir (2026)
8.0
TV

REVIEW: ‘Vladimir (2026)’ Is A Horny Descent Into Delusion And Self-Obsession

By Sarah Musnicky03/05/2026Updated:03/05/2026

Vladimir (2026) could easily coast on its more erotic notes, yet what ultimately captures attention is Rachel Weisz’s performance.

The Night Agent Season 3 episode still from Netflix
8.5
TV

REVIEW: ‘The Night Agent’ Season 3 Is Far Better Than Last Season

By Kate Sánchez03/04/2026

Ultimately, The Night Agent Season 3 is just good espionage, political plotting, and aggressive displays of power.

But Why Tho?
Facebook X (Twitter) Instagram Pinterest RSS YouTube Twitch
  • CONTACT US
  • ABOUT US
  • PRIVACY POLICY
  • SUBSCRIBE TO OUR NEWSLETTER
  • Review Score Guide
Sometimes we include links to online retail stores. If you click on one and make a purchase we may receive a small contribution.
Written Content is Copyright © 2026 But Why Tho? A Geek Community

Type above and press Enter to search. Press Esc to cancel.

But Why Tho Logo

Support Us!

We're able to keep making content thanks to readers like YOU!
Support independent media today with
Click Here