Close Menu
  • Support Us
  • Newsletter
  • News
  • Features
  • Interviews
  • Reviews
    • Video Games
      • Previews
      • PC
      • PS5
      • Xbox Series X/S
      • Nintendo Switch
      • Xbox One
      • PS4
      • Tabletop
    • Film
    • TV
    • Anime
    • Comics
      • BOOM! Studios
      • Dark Horse Comics
      • DC Comics
      • IDW Publishing
      • Image Comics
      • Indie Comics
      • Marvel Comics
      • Oni-Lion Forge
      • Valiant Comics
      • Vault Comics
  • Podcast
  • More
    • Event Coverage
    • BWT Recommends
    • RSS Feeds
Facebook X (Twitter) Instagram
Support Us
But Why Tho?
RSS Facebook X (Twitter) YouTube
Trending:
  • Features
    Sunderfolk Phone Players

    10 ‘Sunderfolk’ Tips To Help You And Your Party Thrive

    05/02/2025
    Bob in Thunderbolts But Why Tho

    ‘Thunderbolts*’ Visualizes Depression As Only A Superhero Movie Can

    05/02/2025
    Games to Play After Expedition 33

    5 Games to Play After Beating ‘Clair Obscur: Expedition 33’

    05/01/2025
    Lily James in Cinderella (2015)

    ‘Cinderella’ (2015) 10 Years Later: Disney’s Live-Action Jubilant Peak

    04/28/2025
    One of the spirits seen in Grave Encounters

    ‘Grave Encounters’ Is Still One Of The Best Found Footage Horror Films

    04/26/2025
  • GDC
  • K-Dramas
  • Netflix
  • Switch 2
  • MCU
But Why Tho?
Home » Features » Why I’m Incredibly Disappointed in “Tasha’s Cauldron of Everything”

Why I’m Incredibly Disappointed in “Tasha’s Cauldron of Everything”

Bruce BovilleBy Bruce Boville11/19/20204 Mins ReadUpdated:12/02/2020
The official art for TCoE
Share
Facebook Twitter Pinterest Reddit WhatsApp Email

The official art for Tashas Cauldron of Everything

I had a whole article prepared about races in fantasy and how Wizards of the Coast’s Dungeons and Dragons (D&D) franchise was going to address the problem of racism that is as old as the genre itself. The newest D&D book, “Tasha’s Cauldron of Everything,” has been much-hyped for its promise to provide new mechanics and lore to rework race in the incredibly popular game. This was even more important after Wizards came under fire for several racist cards that were eventually banned from their other major franchise, Magic: The Gathering.  It turns out that “Tasha’s Cauldron of Everything” didn’t do any of that. In fact, on issues of race, it feels like a massive sidestep of the issue at hand. 

Get BWT in your inbox!

Subscribe to our weekly newsletter and get the latest and greated in entertainment coverage.
Click Here

Get BWT in your inbox!

Subscribe to our weekly newsletter and get the latest and greated in entertainment coverage.
Click Here

Ultimately, the book has exactly zero pages on race. Instead, it has less than two pages on how to tweak the “background” mechanic—which essentially gives bonuses based on a character’s upbringing—so that your character can be an atypical representation of their race. 

Instead of trying to move away from harmful Black stereotypes for orcs, the book shrugs and says “maybe your character isn’t a stupid brute with anger issues, but most orcs still are.” For those interested in a thorough, academic look into race in fantasy, I highly recommend Race and Popular Fantasy Literature: Habits of Whiteness, by Helen Young. It doesn’t take a PhD to recognize, however, that Wizards saying, in essence, “you can be one of the good ones” is tone-deaf at best.

“Tasha’s Cauldron of Everything” says that the rules from previous D&D books provide “suggestions” about personality and cultures for the “archetypal adventurers” of a given race. Adventurers are special and the ones of a given race who go on world-shaping quests tend to be special in similar ways. That’s why the rules say that all dwarves (or dwarf adventurers, apparently) have higher than average Constitution scores. 

The book doesn’t say anything about why the archetype for a D&D dwarf has a big nose, a big beard, and a language explicitly based on Hebrew. It also doesn’t say anything about why half-orcs have a “rage that simmers within them” and “feel emotion powerfully,” two common historical stereotypes for Black people. “Tasha’s Cauldron of Everything” certainly doesn’t explain why orcs are not a “civilized race” according to the “Player’s Handbook.”

Wizards opted not to try to address the racism built into the fantasy genre since The Lord of the Rings and Conan the Barbarian. Instead, they just said “you might be different,” which sounds an awful lot like “you might be one of the good ones,” to me.

“Tasha’s Cauldron of Everything” has not just failed to even try to make the genre less racist. From a purely mechanical perspective, the way this book deals with races is a deeply lazy move on Wizards’ part. They didn’t come up with new mechanics beyond one short (5×2) table for trading weapon and tool proficiencies. Instead, they just said, “do whatever you want.” 

Astute readers will note we could already do what we wanted with the rules because there’s no computer holding us back, only our imaginations. That’s the point of D&D. What we wanted was lore and mechanics to help move beyond the stereotypes.

It was already easy enough to make our own rules to avoid stereotypes if we wanted to. The internet abounds with examples of custom races and subraces. Matthew Mercer (of Critical Role fame) deliberately moved beyond orc stereotypes in his Wildemount campaign setting, noting that orcs in Wildemount are not inherently evil or violent. One of my favorite things to do is to make factions that are multiracial. What they do is a result of historical factors specific to the faction rather than biological predetermination. 

Someday, I’ll publish my article about race and why Wizards should change how they deal with it. I’ll talk about why fantasy authors should stop using the word “race,” in favor of something like “species.” (Hell, Tasha’s Cauldron of Everything even says that “character race in the game represents your character’s fantasy species”—then why are we calling it a race?). I’ll also address why their diversity statement doesn’t go nearly far enough.

For now, I’m deeply disappointed in Wizards’ decision to pretend that race isn’t an issue in their IPs.

Share. Facebook Twitter Pinterest LinkedIn WhatsApp Reddit Email
Previous Article‘Marvel’s Avengers’ Adds Kate Bishop In December
Next Article REVIEW: ‘Dolly Parton’s Christmas on the Square’ is Exactly as Holly and Jolly as You’d Think
Bruce Boville

Related Posts

Sunderfolk Phone Players

10 ‘Sunderfolk’ Tips To Help You And Your Party Thrive

05/02/2025
Bob in Thunderbolts But Why Tho

‘Thunderbolts*’ Visualizes Depression As Only A Superhero Movie Can

05/02/2025
Games to Play After Expedition 33

5 Games to Play After Beating ‘Clair Obscur: Expedition 33’

05/01/2025
Lily James in Cinderella (2015)

‘Cinderella’ (2015) 10 Years Later: Disney’s Live-Action Jubilant Peak

04/28/2025
One of the spirits seen in Grave Encounters

‘Grave Encounters’ Is Still One Of The Best Found Footage Horror Films

04/26/2025
Star Wars Publications announced during Star Wars Celebration

Star Wars Stories: What We Learned At Star Wars Celebration

04/18/2025
TRENDING POSTS
The Eternaut promotional image from Netflix
8.5
TV

REVIEW: ‘The Eternaut’ Is Another International Sci-Fi Hit

By Kate Sánchez05/03/2025

The Eternaut tackles genre staples through an Argentine lens and winds up being one of the best sci-fi series on Netflix.

Ellie and Dina in The Last of Us Season 2 Episode 4 on MAX
6.0
TV

REVIEW: ‘The Last of Us’ Season 2 Episode 4 — “Day One”

By Kate Sánchez05/05/2025

The issue is that The Last of Us season 2 Episode 4 feels like a video game, and not in a good way, and not one that sticks.

Together (2025) still from Sundance
8.0
Film

REVIEW: Have a Grossly Good Time ‘Together’

By Kate Sánchez01/27/2025Updated:05/05/2025

Dave Franco and Alison Brie’s Together (2025) is disgustingly funny, genuinely ugly, and just a good time at the movies.

Hen in 9-1-1 Season 8 Episode 16
8.5
TV

RECAP: ‘9-1-1’ Season 8 Episode 16 — “The Last Alarm”

By Katey Stoetzel05/01/2025Updated:05/03/2025

9-1-1 Season 8 Episode 16 is an emotional ringer, perfectly setting the tone for what 9-1-1 can look like without Bobby Nash.

But Why Tho?
Facebook X (Twitter) Instagram Pinterest RSS YouTube Twitch
  • CONTACT US
  • ABOUT US
  • PRIVACY POLICY
  • SUBSCRIBE TO OUR NEWSLETTER
  • Review Score Guide
Sometimes we include links to online retail stores. If you click on one and make a purchase we may receive a small contribution.
Written Content is Copyright © 2025 But Why Tho? A Geek Community

Type above and press Enter to search. Press Esc to cancel.

But Why Tho Logo

Support Us!

We're able to keep making content thanks to readers like YOU!
Support independent media today with
Click Here