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Home » DC Comics » REVIEW: ‘Absolute Flash’ Issue 7

REVIEW: ‘Absolute Flash’ Issue 7

William TuckerBy William Tucker09/17/20254 Mins Read
Absolute Flash Issue 7
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Absolute Flash Issue 7 is published by DC Comics and written by Jeff Lemire, with art by Travis Moore, colors by Adriano Lucas, and letters by Tom Napolitano.

As a violent storm scares Grodd away, Flash’s hunger causes his powers to falter.

This issue heralds a lot of change, moving out of the city. But Wally can’t move as quickly as he likes. He’s hungry, and that’s making it difficult for him to use his powers. Trying to ease that hunger gets the youngster into trouble. There is an unease in Absolute Flash Issue 7 from the very start. An intense storm is kicking up, which is frightening Grodd and making him skittish. So when the little monkey vanishes, Wally resorts to those hunting him for help.

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The alliance is an interesting idea, as it creates strange bedfellows heading into the second half of the comic. The storm is manmade, created by another recreation of a classic Flash villain. The battle at the end is loud and dramatic, featuring two very frightened heroes. But for a man who starts hungry and weak, he certainly ends the story fed and strong.

Absolute Flash Issue 7 shows that Wally is a really good kid who is just in an especially tough spot. He has no money, no food, and no home to return to. He doesn’t want to shoplift, but there are no other options. He even asks beforehand, trying to communicate his problems to people who aren’t willing to listen. Wally could be considered a pushover in these moments, nervous and timid. But when he needs to rescue his friend, the strength resurfaces and even reaches new heights.

Wally embraces his powers and what can make him stronger, standing up against those who want to cause him harm. There are also major changes in the other characters around Wally. The Rogues, always just behind Wally in their hunt to bring him back to the fort he’s fleeing from, approach the Flash with a compromise. But they may not be as cold or as merciless as they appear.

The art shows a terrific change in Wally as the issue progresses. So much of his demeanor depends on whether he’s in costume or not. When not in the Flash suit, Wally looks young and timid. He’s uncomfortable due to his hunger, and Grodd being upset makes him more unhappy.

But the suit grants him more confidence. He’s starting to understand his speed and how to use it. He’s enjoying it at times, relishing how the power feels when it’s coursing through his veins. With Moore illustrating, Flash looks less misshapen and panicked while running, showing how he’s getting the hang of it. By the end of the book, Wally looks like a hero.

The colors are phenomenal. The only red in Absolute Flash Issue 7 is from his costume and his powers. This adds extra vibrancy to the door, making it the most captivating part of the comic. The blue of Captain Cold and the green of Captain Boomerang have a similar effect. And in the background of many panels is the intensity of the lightning, as the rampaging storm seems endless. The lettering is brilliant. The special word balloons used when Grodd and Flash communicate telepathically are a perfect representation of their bond.

Absolute Flash Issue 7 sees Wally learn so much about himself and the world. He understands the limitations of his powers, which require fuel, but also the cruelty of the world. Not everyone is forgiving or fussed about giving, so sometimes you have to just take. He’s a relatable protagonist who is easy to like, creating flickers of light in a universe that can be incredibly dark.

Absolute Flash Issue 7 is available where comics are sold.

Absolute Flash Issue 7
5

TL;DR

Absolute Flash Issue 7 sees Wally learn so much about himself and the world. He’s a relatable protagonist who is easy to like, creating flickers of light in a universe that can be incredibly dark.

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Previous ArticleREVIEW: ‘Uncanny X-Men’ Issue 21
William Tucker

William is a screenwriter with a love of comics and movies. Once referred to Wuthering Heights as "the one with the Rabbits."

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