REVIEW: ‘Dazzler,’ Issue #1

Dazzler #1 is published by Marvel Comics, written by Jason Loo, art by Rafael Loureiro, colors by Java Tartaglia, and letters by Ariana Maher. This is part of the “From The Ashes” relaunch of the X books. Dazzler begins her first live show since the fall of Krakoa, but there are strict constraints on her to prevent accusations of a mutant agenda.

The first issue of the series is laden with messages. Dazzler spends a lot of time having the point hammered home that she can’t encourage violence or pursue anything that could be seen as taking a stand. With her team of mutants in the band and the crew, any form of representation could damage her standing and chart performance. The pacing in Dazzler #1 is different from other superhero comics because there is a unique approach to the comic. It’s a performance, as a stage show, not a mission or a battle.

Later in Dazzler #1, the metaphor of out and proud becomes explicit and intensely prominent, echoing out of the page. Loo approaches the problem with clarity and clear intentions. Given the role singers and other celebrities play in our society, this is the perfect time for Dazzler to make her stand.

The cast is much larger than anticipated, and all play a new role in Dazzler’s setup. Many heralds from X-Factor, but Domino is Alison’s head of security, and Wind Dancer is her P.R. Manager. The band are also all mutants, with one of them having an important sub-plot. The first half of the comic is all about being sublet and restrained. Any attempt to reveal or support mutants is frowned upon and dampened. This causes friction and a struggle among many in the band themselves.

The dialogue also has an exciting feature: songs. Loo elevates himself from comic writer to songwriter with a complete performance by the pop star in the book’s second act. Music constantly struggles to come across well on the page, but in Dazzler #1, more emphasis is placed on the lyrics, which will always translate nicely.

The art in Dazzler #1 is fantastic. Dazzler looks terrific, as glamorous as ever. Her old design returns, covered in glam and sparkles. The other characters are a mixture of casual dress and their iconic costumes. Multiple Man, Domino, and Strong Guy are tricky to disguise, and one of the band members finds it even harder. The comic is split into two halves: the preparation and the performance. Body language and movement are essential. The fantastic art is fusing fights with dance, distinctly separating the two. The villain also looks impressive, with a vicious design that fits the issue’s fashion.

The colors have to be bright, considering the parameters of the character. The dazzling colors and blinding lights are phenomenal in Dazzler #1. Although the heart of the lights is pristine white, around the edge are shades of other colors. The comic is atmospheric during the concert, with many hues filling the stage and covering the audience. The letters are fascinating because there is music twinned with standard dialogue. It is evident when Dazzler is singing, with colored text coming from the crowd and helping to create a sense of noise.

Dazzler #1 is a proud statement. This subject is perhaps as timely as ever, with the immense pressure being put on anyone with a microphone from either side. They are told to speak up or stay quiet, with huge ramifications if you pick either side. Neither avenue is necessarily wrong, and both of those arguments are shown in depth here. The messaging can be blunt and blatant, but with musicians, there is no other way to do it. Otherwise, the meaning falls by the wayside. The comic is also energetic and beautiful, with an entire cast of established mutants that makes the book feel like a group project, not just a solo.

Dazzler #1 is available now wherever comics are sold.