Thriller
Heart of the Beast is an incredible and moving look into what it means to truly put everything on the line for the sake of someone else.
The lure of power couple Javier Bardem and Penélope Cruz is undeniable in writer/director Florian Zeller’s Bunker (2026).
While lacking subtlety, Paradise Lost bleakly depicts a mother’s love and the messiness of grief coupled with newer reality-blurring technologies.
Onslaught is a completely insane action film full of blood and carnage that does a fantastic job examining the consequences of government secrecy.
Netflix’s The Whisper Man is by no means a game changing thriller, but is often carried by riveting veteran cast more than anything.
Suzuki=Bakudan is an enticing thriller, leading the viewer and the detectives down a winding path that might not always make sense.
The Truthers isn’t a terribly complicated mystery-thriller, but its chilling depiction of conspiracy theorists is all too real.
Strung, from director Malcom D. Lee, squanders an extremely talented cast on a poorly paced script that struggles to find its footing.
Notes from the Last Row is one of those series that sneaks up on you, taking its time to unravel and leaves you guessing until the end.
I Will Find You has the elements of a good thriller, but suffers under its ensemble cast and overdone twists and turns.
TRENDING POSTS
Catherine Zeta-Jones is great in the stylishly flashy Kill Jackie, but all that flash can’t hide thin characterization and contrived plotlines.
Heart of the Beast is an incredible and moving look into what it means to truly put everything on the line for the sake of someone else.
Below (2026) finds itself in choppy waters the deeper it goes into its narrative, but eventually pulls itself back on course for its bittersweet finish.













